[{"data":1,"prerenderedAt":96},["ShallowReactive",2],{"site-settings":3,"work-fr-electroponie":13,"all-works-nav-fr":73},{"contactEmail":4,"footerTextEn":5,"footerTextFr":6,"instagram":7,"linkedin":8,"metaDescriptionEn":9,"metaDescriptionFr":9,"ogImage":10,"siteTitleEn":11,"siteTitleFr":12,"vimeo":8},"contact@baptisteleroux.net","{year} © baptiste leroux — all rights reserved \u002F\u002F contact: {email}","{year} © baptiste leroux — tous droits réservés \u002F\u002F contact : {email}","https:\u002F\u002Fwww.instagram.com\u002F_baptiste_leroux\u002F",null,"test","https:\u002F\u002Fcdn.sanity.io\u002Fimages\u002Fsa4qlufk\u002Fproduction\u002F16b81cb5e9737bf113fa47a15e89b0b780e3ac3d-6000x3376.jpg","Baptiste Leroux — Visual Artist","Baptiste Leroux — Artiste Plasticien",{"_id":14,"audioExcerpts":15,"collaborators":8,"cover":19,"coverAlt":20,"description":21,"descriptionText":30,"exhibitions":33,"featured":51,"gallery":52,"materials":62,"medium":69,"slug":70,"title":71,"video":8,"year":72},"66b4592d-b7ab-41c6-8fc0-4b6c04d6fa51",[16],{"title":17,"url":18},"Extrait sonore","https:\u002F\u002Fcdn.sanity.io\u002Ffiles\u002Fsa4qlufk\u002Fproduction\u002Fe6c8054910110c6976421e420d997679279e763c.wav","https:\u002F\u002Fcdn.sanity.io\u002Fimages\u002Fsa4qlufk\u002Fproduction\u002F25e491d4a7f56c61cc15f7096ac6c415710dacc4-4571x3393.jpg","Deux fleurs électroniques sont installées sur un ratelier métallique, face au public dans la pénombre",[22],{"_key":23,"_type":24,"children":25,"markDefs":31,"style":32},"5e7c7587ba23","block",[26],{"_key":27,"_type":28,"marks":29,"text":30},"69438ad2a949","span",[],"Des formes végétales sont advenues d’objets électroniques et une structure métallique les maintient en vie : là où l’hydroponie fournit les plantes en eau grâce à une structure hors-sol, ce râtelier « electroponique » fournit en électricité ces nouvelles formes hybrides. L’environnement sombre qui entoure l’installation est bercé par un son de basse fréquence proche de celui d'un transformateur. La proximité du public avec les végétaux l’amène à s’exciter. Cette menace invisible se pose en obstacle à la curiosité spontanée pour la préciosité de la forme florale.",[],"normal",[34],{"_key":35,"_type":24,"children":36,"markDefs":47,"style":32},"d891996326a7",[37,43],{"_key":38,"_type":28,"marks":39,"text":42},"5d54be3da14a",[40,41],"7fac81dbbd2c","em","Manière d’hybrider des mondes",{"_key":44,"_type":28,"marks":45,"text":46},"90e2a85ebba8",[]," [exposition des diplômés], église Saint-Nicolas, Caen, 2020.",[48],{"_key":40,"_type":49,"href":50},"link","https:\u002F\u002Fwww.esam-c2.fr\u002Fmanieredhybrider\u002F",true,[53,56,59],{"alt":54,"url":55},"Plan moyen sur les deux fleurs électroniques","https:\u002F\u002Fcdn.sanity.io\u002Fimages\u002Fsa4qlufk\u002Fproduction\u002F955315a77f3b6f2828920adfce96345b98577ceb-5616x3744.jpg",{"alt":57,"url":58},"Gros plan sur la première fleur électronique ","https:\u002F\u002Fcdn.sanity.io\u002Fimages\u002Fsa4qlufk\u002Fproduction\u002F94ef817e528de6a5ac69f8bf7c3832bc03d2dbff-5616x3744.jpg",{"alt":60,"url":61},"Gros plan sur la seconde fleur","https:\u002F\u002Fcdn.sanity.io\u002Fimages\u002Fsa4qlufk\u002Fproduction\u002F81a14f8ca801e2ce498f47b19ca00ec24c74f598-5616x3744.jpg",[63,64,65,66,67,68],"Profilés industriels","Système audio","Déchets électroniques","Capteurs","Programmation","Son","Installation sonore et interactive","electroponie","Électroponie",2020,[74,77,80,83,86,87,90,93],{"slug":75,"title":76},"dancing-species","Dancing Species",{"slug":78,"title":79},"analog-intimacy","Analog Intimacy ",{"slug":81,"title":82},"encor","Encor",{"slug":84,"title":85},"la-nuee","La Nuée",{"slug":70,"title":71},{"slug":88,"title":89},"t-o-1139","T.O. 1139",{"slug":91,"title":92},"pavillon","Pavillon",{"slug":94,"title":95},"shell","Shell",1779986232392]